Is your art really “a killing art”?

Liverpool HEMA lesson
Ben and Marc performing an exercise during a lesson at Liverpool HEMA. Photo by Keith Farrell, 2018.

Back in September, Kaja Sadowski posted quite an interesting question to Facebook for discussion by her friends and colleagues:

Honest question for my HEMA friends: if you consider the totality of the sources you work from, to what extent is the art you practice really “a killing art”? 100%? 75%? 50%? Less?

Follow-up: what do we gain/lose by framing it exclusively (or primarily) as such?

This is an excellent question, and I’m grateful to Kaja for posing it and giving me the opportunity to consider my thoughts. I think it is a rather important question for practitioners of any martial art (especially those with swords) to ask themselves, so that our practice is framed properly and is placed firmly within its proper context, as best we can understand it.

What follows is an edited and improved version of my original response to her question on Facebook.

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Keith Farrell

Keith Farrell teaches HEMA professionally, often at international events (why not hire me to teach at your event?), and has an interest in coaching instructors to become better teachers.

I have authored Scottish Broadsword and British Singlestick and the award-winning AHA German Longsword Study Guide, and maintain a blog at www.keithfarrell.net where I post regularly.