Although I’m currently based in Liverpool, I am responsible for all the paperwork and business admin for a full-time training centre that teaches HEMA in Glasgow, as well as offering archery and blacksmithing activities. The Vanguard Centre is located just south of the city centre in a railway arch beneath the train lines leading into Central Station, and it is a very cool place to spend some time!
Running a full-time venue like this is a lot of hard work, but it has some very rewarding moments too. Since many people toy with the notion of becoming a professional HEMA instructor at some point in their future, I thought it would be interesting to share some of my experience.
From time to time, clubs may have the opportunity to do some community outreach and give some HEMA demonstrations for the public. This is a great opportunity to raise the profile of your club in your local area while helping to entertain and educate people.
I have several years of experience giving demonstrations of various types and I would like to share some advice that may help you run a more effective demonstration.
Sometimes there is a question about technique and its importance, compared with other elements of fighting, martial arts, and/or sports. Often some people will suggest that historically accurate technique is what verifies our practice of HEMA; other people will suggest that technique is of relatively little importance and that it is principles that are more important.
I have been thinking about how best to answer this. In the past, due to my karate training, I was of the mindset that principles were more important and that techniques were simply the embodiment of those principles. At the moment, however, I am flirting a little with what might be heresy: my current thinking is that technique is incredibly important in our study of HEMA with swords (especially cutting swords with edges) and that hiding technical deficiencies behind “principles” is a very easy crutch to avoid addressing the real problem.
I may well swing back in the other direction again at some point in time, but I would like to examine this approach while it is fresh in my mind. Maybe it will help me learn something, maybe it won’t; maybe it will help other people come to terms with their own thoughts on the matter, or spark some new thoughts.
Back in September, Kaja Sadowski posted quite an interesting question to Facebook for discussion by her friends and colleagues:
Honest question for my HEMA friends: if you consider the totality of the sources you work from, to what extent is the art you practice really “a killing art”? 100%? 75%? 50%? Less?
Follow-up: what do we gain/lose by framing it exclusively (or primarily) as such?
This is an excellent question, and I’m grateful to Kaja for posing it and giving me the opportunity to consider my thoughts. I think it is a rather important question for practitioners of any martial art (especially those with swords) to ask themselves, so that our practice is framed properly and is placed firmly within its proper context, as best we can understand it.
What follows is an edited and improved version of my original response to her question on Facebook.
This article was originally posted on Encased in Steel on 12th August 2011. It has been edited and improved for posting here.
I used to be involved with a historical re-enactment group before I began to practise HEMA. More recently, I have taught workshops and seminars on the subject of swordfighting for an audience, sometimes with re-enactors in attendance, and sometimes exclusively for re-enactment groups.
In my opinion, both HEMA fencers and historical re-enactors are trying to do a similar thing, but with quite a different perspective: re-enactors are usually trying to recreate the look and outfits of the time, whereas HEMA people are trying to recreate the fighting methods of the time. This leads to inevitable compromises: to recreate the look as authentically as possible, re-enactors cannot wear modern protective equipment such as fencing masks, and therefore must change how they fight for reasons of safety; HEMA people are trying to recreate the fighting as authentically as possible, meaning that the look and clothing are often sacrificed in favour of modern protective gear such as fencing masks.
With these major differences, does HEMA have a place in historical battle re-enactment? This is a contentious issue with various different schools of thought. Opinions are often entrenched and debates can become passionate, and so my intention is to take a neutral point of view and discuss both the advantages and disadvantages of the different points of view.
This article was originally posted on Encased in Steel on 13th January 2017. It has been edited and improved for posting here.
Following on from my article about how to make techniques work in sparring, I would like to present a case study from my own training. Over a period of two or three months, I began to have more success at applying the Mutieren during sparring with the longsword.
If you are unfamiliar with this technique, it is somewhat similar to the croisé in classical and modern fencing; converting an attack to an upper opening downward to thrust into the lower openings, maintaining blade contact with the opponent’s sword for greater safety. With the longsword, because it is so easy for the opponent to lever his sword around to make another strike, it can be quite daunting to try to attempt this technique, and it is often a technique that many longsword fencers struggle to perform.
This is the process through which I have learned to apply the technique more successfully in sparring.
This article was originally posted on Encased in Steel on 6th January 2017. It has been edited and improved for posting here.
One of the common problems faced by many practitioners of historical fencing is that while we know and have learned many cool techniques from our source materials, we may not be able to apply these difficult techniques in the heat of sparring. How can we work towards being able to apply all of our techniques at will, even when under pressure? It requires a little bit of thought and effort, and perhaps you need to change your typical sparring and training habits.
I recently had the opportunity to test and review the Superior Fencing forearm and padded elbow guards. They are very protective, and are not as bulky as some other forearm guards, although the standard size is perhaps a little too large for smaller people.
This article was originally posted on Encased in Steel on 20th May 2016. It has been edited and improved for posting here.
Can good fencing ever be considered “bad fencing” or “incorrect fencing” at the same time?
Sometimes people integrate actions or concepts into their sparring that could be described as “good fencing”. However, sometimes these actions or concepts might also be described as “bad fencing” or “incorrect fencing” at the same time, and I think this is an interesting paradox that is somewhat unique to historical fencing.
This article will present a few examples, and it is not the intention to say that any one skill or behaviour or idea is “bad” or “incorrect” all the time. Rather, the intention is to suggest circumstances that may lead to certain actions or concepts changing from “good” to “bad”, or vice versa, or perhaps remaining “good” but suffering from being “incorrect” according to the system. If you take from this article the inspiration to think about these notions, then I will have achieved my purpose, and hopefully more people will consider what counts as “correct fencing” in the system that they study.
This article was originally posted on Encased in Steel on 6th May 2016. It has been edited and improved for posting here.
In martial arts, broadly speaking, there are two types of training exercise: those where you have a specific goal to accomplish, and those where you do not.
It is my belief that exercises without a specific and achievable goal are only useful for experienced practitioners who have already learned how to learn from play. For beginners who have not yet learned this skill, all exercises must have a well-defined goal to strive towards.
This article was originally posted on Encased in Steel on 14th October 2016. It has been edited and improved for posting here.
The afterblow is still sometimes a contentious issue in the HEMA community, depending on the person or people with whom you speak. I used to disapprove of the concept myself, but over the last several years, I have recognised it to be a valuable training method with genuinely important outcomes. I would like to share a few of my thoughts on the matter.